Summer Show – Julius Caesar

Our summer show is almost upon us and tyranny is alive and well.

Shakespeare’s classic tale of conspiracy, tyranny and backstabbing will be on in various venues around Liverpool very soon.

Ancient Rome is given a modern twist in this gender neutral production. Power is ripe for the taking and whispers and daggers alike lurk in the shadows.

We are performing in some of the most beautiful indoor and outdoor venues Liverpool has to offer, so grab your picnic blanket and prepare to take in our ever popular summer show.

The Ides of March are come, but not yet gone.

Tickets are on sale now!

Julius Caesar Audition date announced

Our Summer Show starts here, looking for some great actors to play various roles in Shakespeare’s classic Julius Caesar. It is very likely that each actor will play two roles. Roles are unisex.. Men and women can play any role. A male Calpurnia or a female Cassius is perfectly fine. To prepare for the audition, we would like all candidates to learn the following lines. (You can still read from script, which will be handed out on the day)

“Thy master is a wise and valiant Roman;
I never thought him worse.
Tell him, so please him come unto this place,
He shall be satisfied; and, by my honour
Depart untouch’d”

It’s likely that we will do some Status group work and if we have time, we will fit in Crowd work and some improv

Really looking forward to seeing some quality performances and having some fun.

Thanks, see you on the 8th 😊👍🎭

Summer Show announcement

Liverpool Network Theatre are pleased to announce their Summer 2018 production will be Julius Caesar. Directed by Sean Gaffney, with the assistance of Rob Steele, and Mark Davoren as Producer, the show is expected to be one of the most successful to date.

Following the sell-out performances of their most recent show, No Exit, staged at The Casa in February, Julius Caesar will be performed at five venues around the city in June and July.

Asked recently about his initial plans, Gaffney said: ‘We are very excited to be able to bring this classic Shakespearean historical piece to Liverpool as it not only commentates on a world changing event, but also reflects the current political landscape, particularly in America, and closer to home with Brexit.

‘So many themes run through this play: envy; jealousy; ambition; honour; and patriotism – something for everyone to feast on.’

Shakespeare’s 21st play – written in 1599 – shows that people are swayed by a good orator but not always for what is good, as good and bad, right and wrong, are put on trial in the hard-hitting historical play that is…


The details:

Prior to Auditions, we will be holding a Shakespeare workshop on Tuesday 20th February at 7pm. Hope Street Limited above Specsavers on Lord St (4th floor) Entrance lies between MacDonald’s and Specsavers.

Auditions will also be held at Hope Street Performers, 4th Floor, Lord Street Liverpool (Above Specsavers) on 8th March 2018, 7pm Rehearsals will start later in March. Performances will be staged as follows: Waterloo Gardens Friday 29th June, Reynolds Park Saturday 30th June, Reynolds Park Sunday 1st July, Lowlands Friday 6th July, Masonic Theatre (Hope Street) 7th July, Sudley House 8th July, Central Library 14th July

Autumn play Director’s pitch

Network are staging No Exit this week (7th 8th 9th February) and we are organising our Summer production of Julius Caesar in July. We are now looking to take pitches for a possible Autumn play and would welcome ideas from anyone interested in directing or producing a particular work. Please respond in the first instance with your idea to

No Exit: Video Preview

Rehearsals for our latest show NO EXIT (Huis Clos) are in full swing!

Andy Kerr is directing, and we are in a hotel room in Limbo, where several damned souls are gathered. At first, the group denies where they are or why they’re there. When the horrible truth dawns upon them, they carp and snipe at one another, blaming everyone but themselves for their dismal fate.
Check out our very special video preview here:
No Exit, written by Jean Paul Sartre. Casa L’pool Theatre 7th 8th 9th February 7.30pm 

Casting call: In Camera (Huis Clos), Jean Paul Sartre

Thursday 14th September 7:00pm at
Hope Street Ltd, 76 Lord Street
Liverpool, L2 1TL

Imagine dying, knowing that you’ve committed a crime and expecting to go to Hell. But instead of finding a fiery furnace, instruments of torture and demons to torment you, you’re simply in an ordinary living room, with two other ordinary people. You’re all in the same boat, seemingly randomly thrown together to grapple with the consequences of your past. Or not, as the case may be. It gradually dawns on you that as much as you want the others to help you make sense of the situation, or comfort you, or provide distraction from your conscience, they won’t be able to. Not only that, but you are destined to grind each other’s gears, locked in the same room together with no sleep for all eternity. Who needs demons? ‘Hell is other people’

Network’s next production, directed by Andy Kerr, will revive Sartre’s classic of French existential theatre, and will provide opportunity for four actors to engage with the characters, themes and contemporary interpretation of a classic text. Cast members will be expected to cope well with direction and concentrated rehearsal process, and to be available for the whole rehearsal run from late September till performance in late November (exact dates to be confirmed) .The play will be performed in English translation from the original French.

Auditions will run from 7-9 and be conducted partly in a workshop environment in small groups as well as requiring some formal script reading which will be made available on the night. It is not necessary to prepare audition pieces, and latitude will be given in acknowledgement of the difficulties of sight reading. Potential cast members should therefore attend the whole session.


Joseph Garcin – His cowardice and callousness caused his young wife to die “of grief” after his execution. He is from Rio de Janeiro, Brazil and deserted during an unspecified military conflict. He was unfaithful to his wife – he even recalls, without any sympathy, bringing home another woman one night, and his wife bringing them their morning coffee after hearing their engagement all night.

Inès Serrano – Inès is the second character to enter the room. A lesbian postal clerk, she turned a wife against her husband, twisting the wife’s perception of her spouse and the subsequent murder of the man (who is Inès’ cousin).

Estelle Rigault – Estelle is a high-society woman, a blonde who married an older man for his money and had an affair with a younger man. To her, the affair is merely an insignificant fling, but her lover becomes emotionally attached to her and she bears him a child. She drowns the child by throwing it into the lake, which drives her lover to commit suicide.

Valet – The Valet enters the room with each character, but his only real dialogue is with Garcin. We learn little about him, except that his uncle is the head valet, and that he does not have any eyelids, which links to Garcin because Garcin’s eyelids are atrophied.

There is some flexibility in playing ages, with a suggestion that Ines and Garcin are somewhat older than Estelle, who might me in mid to late twenties.

PS It sounds grim, but there is plenty of gallows humour to spice up the moral philosophy, and the rehearsal process of group work with a small cast will be demanding, but fun as long as people can go with the flow.

See you there!

Sandra (posting on behalf of Andy)

Network news: August

Hello Networkers! Here is an update of what LNTG is currently up to 🙂 

Summer show

It’s already almost two weeks since we completed our summer play, The Taming of the Shrew, which was graced with very good audience numbers, very high energy, very mixed weather and a very positive response from those who saw it. So thanks to everyone who came out to experience the show and support your favourite community theatre group! You can read a review by Mark Davoren at North West End at the following link:

We also introduced a beautiful new outdoor venue into our annual tour this year – below is an impression of the cast in full flow at the Seafront Gardens in Waterloo.


As always, our weekly Tuesday workshops persevere, with varying topics and exercises each week. The next one (8th August) will be led by Networker Adrian Rawsthorne and is entitled “A big bag of tools for Creating Character”.

Workshops take place every Tuesday, 7-9pm at “Hope St. Ltd” on Lord Street (entrance between McDonald’s and Specsavers, ring the bell for the fourth floor. The building/workshop space is wheelchair accessible.) They are run on a drop-in basis and attract a wide range of ages and acting experience (beginners welcome)! We ask for a contribution of £3 (£1.50 unwaged) per person.

We are also planning two consecutive workshops (19th and 26th September) which will focus on directing, giving workshop participants a chance to try their hand at this discipline, and others to be directed by them. 

The best way to find up-to-date information is to check our Facebook group at:

We will also be announcing other events in the coming weeks/months, such as a Network pub quiz, our annual Christmas revue and any news about forthcoming productions.


Happy Networking and see you soon. 

Sandra on behalf of LNTG x

Summer Show: The Taming of The Shrew

Rehearsals are running full speed for our upcoming summer show, The Taming of the Shrew, which opens in just over two weeks and will be performed at various beautiful locations in Liverpool. Time to get your tickets! You can book online via

Please check the poster above (or the ticket link) for full details about the Where and When.

Below is a snap from a successful first outdoor rehearsal – we hope to see you at one of the shows, and if you come to one of the outdoor shows, why not bring a picnic (and a whole bunch of friends)!

LNTG spring production “I Have Been Here Before” (5th/6th May) & Light Night

Network’s spring play, JB Priestley’s “I Have Been Here Before” is almost upon us! The show will be performed Friday 5th May (7.30pm) and Saturday 6th May (2pm & 7.30pm) at the Unitarian Church on Ullet Road and we’re all looking forward to what’s in store for us here. 

“Liverpool Network Theatre Group presents J B Priestley’s exploration of deja vu. When six characters find themselves thrown together to stay in a country inn on the Yorkshire moors for Whitsuntide it seems to be pure chance. But their interconnectedness soon becomes apparent as they are inexorably drawn to some irksome, illusive conclusion.”

Tickets are available at the following link, be sure to get yours soon:

You can also see all details and RSVP to the event on Facebook:


Also, if you’re around town on Light Night (Friday 19th May), why not pop into Blackburne House, where LNTG will be performing a preview of this year’s summer show, The Taming of the Shrew, along with some of Shakespeare’s sonnets? 

Info on the flyer below:

See you all soon! x

Second audition session for “I Have Been Here Before” – Monday 20th Feb

Hi everyone,

We are holding another audition session for LNTG’s next Production: J.B. Priestley’s “I Have Been Here Before”, Directed by Sonia Chapman, and Produced by Andy Kerr.

Venue: Ma Boyle’s Alehouse & Eatery
Tower Building, The Strand, L3 1BH Liverpool

Time: 7-9pm

Auditions are open and require no prior preparation.

We have the following parts still to cast:

Sam Shipley:
Innkeeper and Father of Sally Pratt. Stout, warm, humorous, contented Yorkshireman in his 60s. His accent is broader than his daughter’s but not too broad.
Actor age can be flexible, so long as he can feasibly be Sally’s father. An age range of 40-70 yrs would work.

Oliver Farrant:
28-30yrs old, good looking and charming, with something of the boy left in him and something of the intellectual man. He has a decisive, slightly donnish manner, although not so much with people for whom he is on pleasant and easy terms (e.g. Sally & Sam). Schoolmaster of Lamberton School, but is currently off work, having been “ordered a short rest” (it is not entirely clear why he is off work). Farrant is staying at the Inn and feels at home there.
Actor age needs to be within 28-35yrs so that he is younger than Walter Ormund, and same age or slightly older than Janet Ormund.

Janet Ormund:
Attractive, sensitive woman about 28 yrs old, Wife of Walter Ormund. She is troubled as soon as she arrives at the Inn. There are also issues within her marriage which remain a mystery, but are clearly a source of stress for both Janet and Walter.
Actress age needs to be mid-20s to early 30s.

Walter Ormund:
Biggish man in his early 40s, whose manner alternates between alert, sharp command, on the one hand, and a gloomy brooding, on the other. There are problems in his marriage with Janet. He is a workaholic and drinks a lot.
Actor age to be in 40s.

About the Play:

‘I Have Been Here Before’ is a play in three acts, set in the sitting room of the Black Bull Inn, Grindle Moor, North Yorkshire at Whitsuntide in 1937. There are 6 characters, the Innkeeper: Sam Shipley, his daughter: Sally Pratt, a German Professor in Exile: Dr Görtler, a local school headmaster: Oliver Farrant, and a married couple: Janet & Walter Ormund. Aside from Sam and Sally, all the other characters are guests at the Inn.
The play is an existential brooding drama, centred around a theory that we repeat our lives constantly in a sort of spiral. We make the same decisions again and again, and can break out of the cycle once we realise and understand the forces that govern us.
Dr Görtler has come to the Black Bull in to intervene in what he knows will be a love affair leading to suicide and poverty.

Please RSVP on the Facebook event, or contact Sonia Chapman – PM or